IPG Mediabrands, TikTok Team On A Content Creator Program For Brands

By Dani Benowitz, published by Shoot

NEW YORK – IPG Mediabrands and TikTok are joining forces to spearhead a creator and content accelerator initiative. IPG Mediabrands and TikTok will co-create a series of custom programs for IPG Mediabrands’ clients, helping them build an authentic presence on TikTok by tapping into the platform’s community of creators. The two companies will form a bespoke Creator Collective, bringing together a select group of forward-thinking and diverse creators who will provide hands-on guidance to IPG Mediabrands’ clients ensuring that their content is culturally connected, inclusive and resonates with the TikTok community. “Creator Camps,” a quarterly session where creators will provide IPG Mediabrands clients strategic counsel and feedback on their upcoming campaigns, will be the first program of the series.

The Creator Collective forms the central pillar of a three-year, global endeavor between IPG Mediabrands and TikTok that focuses on providing IPG Mediabrands’ agencies and clients with access to TikTok insight and training, first-to-market opportunities, resources and best practices, and research and media trial opportunities.

“IPG Mediabrands clients will now get unique access to the immense content and entertainment capabilities of TikTok,” said Daryl Lee, global CEO, IPG Mediabrands. “As the most improved platform from a media responsibility perspective based on our latest Media Responsibility Index, TikTok has earned this partnership through backing its words with action and integrity.”

“As audience reach declines in traditional formats, it is critical that client budgets fund new ways to connect with audiences,” added Dani Benowitz, president of IPG Mediabrands’ MAGNA. “This partnership will deliver incredible value to our clients and, as importantly, will help all of us learn the power of creating content communities at scale.”

“On TikTok, brands have the unique ability to become creators and storytellers by listening to the community and adopting an always-on approach to their content,” said Blake Chandlee, president of global business solutions, TikTok. “We’re delighted to partner with IPG Mediabrands and help their clients tap into trends, create a steady stream of content that resonates with our community, and embrace the creativity and culture that makes TikTok such an incredible platform.”

TikTok and IPG Mediabrands have also committed to identifying new ways to foster diversity, equity and inclusion on and off the platform. The two companies will collaborate to develop innovative, creative strategies to benefit nonprofit organizations and elevate underrepresented communities on the platform, and TikTok was a recent participant in the Equity Upfront, hosted by IPG Mediabrands’ MAGNA.
 

Read the article at Shoot

Flash POV: March Madness Wrap Up

By Alice Bell-Black
 

Despite Declines and Fluctuations, March Madness Puts Up Solid Viewing Numbers in a Changing Landscape

 

After a the cancellation in 2020, it wasn’t clear how the 2021 championship would compare to 2019, and there were definitely ups and downs. The 31 percent increase in viewership during the First Four games gave the tournament a good head start. From there, the change in schedule dates proved the importance of weekend viewership even as people continued to work and learn from home. Both Round 1 and the Sweet 16 benefitted from increased weekend viewership across major demos, but there were double digit declines when Round Two and the Elite 8 round were pushed back to Monday and Tuesday nights.

 
Leading up to the Final Four and the National Championship, we saw a somewhat unusual slate of teams advancing towards the final. After defeating the lower-seeded Florida State and Creighton, Michigan and Gonzaga were the only teams from last year’s Elite 8 round that made it through to this year’s Elite 8. UCLA’s upset over Michigan was an intense match ending in a close 51- 49 win for UCLA, who joined Gonzaga, Houston, and Baylor in the Final Four.
 
Final Four
 
Both the Final Four and the Championship game were scheduled for the same weekday as 2019’s tournament, making for an easier comparison to past tournament ratings. As expected, the Final Four round saw higher viewership than the Elite 8. The UCLA vs Gonzaga game, which aired Saturday night on CBS, outperformed all other games in the 2021 tournament thus far, with a 7.56 Household rating. Newcomer team Baylor started off strong with a 25-point lead by halftime and won 78-59 against Houston, but ratings were down double digits compared to Auburn vs Virginia in 2019.
 
Overall, the Final Four was down 27 percent among households to 6.01 and down 19 percent among all viewers to a 3.83 rating. There was a small four percent spike among teens 12-17 and 14 percent increase among younger women 18-24, which stemmed from higher year-over-year ratings during the UCLA vs Gonzaga game.
 
National Championship
 
On Monday Night, Gonzaga and Baylor went head-to-head for the 2021 National Championship. From start to finish, the Bulldogs lagged by at least 9 points after the first 3 shots made by the Bears and were down by 10 after a quick two-point layup right before halftime. Both teams were vying for the first title for their schools, but Baylor came out on top at 86-70. The lack of notoriety from both teams resulted in 15 percent ratings decline among total viewers, and even further when looking at key adult demos. Many college-aged men 18-24 tuned out for this game, with viewership halved from 5.8 to 2.52 in ratings, while adults 25-54 saw a 19 percent decline. Overall, the championship game reached a little over 27 million people, down 24 percent from 2019. Still, a very significant number compared to typical primetime entertainment programming.
 
Overall
 
After game delays due to COVID, schedule changes, and upsets across the board, March Madness was able to deliver high ratings. In the 2020-21 season so far, the NCAA National Championship game was the third-highest rated season-ending telecast, surpassed only by the Super Bowl and the College Football Championship game. In March and April to date, eight of the top ten telecasts among Adults 18-49 are March Madness coverage, rivaled only by the Oprah Meghan and Harry interview and the Grammys. Altogether, 94 percent of the tournament was watched live, down from 96 percent in 2019, showing the importance of being in the moment with this audience.
 
Streaming (Roku)
 
Roku shared insights into the Final Four round, which confirmed viewing trends that we’ve seen throughout gameplay. The CTV company noted that linear TV viewership by household was directly correlated with seed of the team in the DMA. For example, 46.6 percent of active Roku TV Households within Spokane, home of Gonzaga, tuned into the semifinal games, while only 19.5 percent of Los Angeles tuned in since UCLA was an 11 seed.
 
In contrast to the decline in linear TV reach, Roku reports that “TV streaming reach has increased by 86.6 percent and hours watched has increased by 75.4 percent.” Streaming likely makes up for some of the fall-off from linear TV, as 80 percent of Roku’s streaming household audience contains someone in the 18-49 age range.
 
Implications for Brands and Teams
 
Live viewing, regardless of device, remains paramount for sports and is a great place to break news or debut creative. The overall strength of the NCAA tournament presages a return to normal for sports going forward. Roku’s insights on local market tune-in, while obvious in retrospect, highlight the impact local can have if a full national sports buy is out of budget.

IPG Mediabrands and TikTok Build Exclusive Creator Programs to Connect Brands with Culture

A series of immersive sessions will match brands with leading TikTok creators to provide strategic counsel and co-creation opportunities for upcoming campaigns

 
NEW YORK–(BUSINESS WIRE)–Today, IPG Mediabrands and TikTok are joining forces to spearhead a first-of-its-kind creator and content accelerator initiative designed to drive brands to the center of culture. IPG Mediabrands and TikTok will co-create a series of custom programs for IPG Mediabrands’ clients, helping them build an authentic presence on TikTok by tapping into the platform’s community of creators. The two companies will form a bespoke Creator Collective, bringing together a select group of forward-thinking and diverse creators who will provide hands-on guidance to IPG Mediabrands’ clients ensuring that their content is culturally connected, inclusive and resonates with the TikTok community. “Creator Camps,” a quarterly session where creators will provide IPG Mediabrands clients strategic counsel and feedback on their upcoming campaigns, will be the first program of the series.

The Creator Collective forms the central pillar of a three-year, global endeavor between IPG Mediabrands and TikTok that focuses on providing IPG Mediabrands’ agencies and clients with access to TikTok insight and training, first-to-market opportunities, resources and best practices, and research and media trial opportunities.

“I am excited to announce that IPG Mediabrands clients will now get unique access to the immense content and entertainment capabilities of TikTok”, said Daryl Lee, Global CEO, IPG Mediabrands. “As the most improved platform from a media responsibility perspective based on our latest Media Responsibility Index, TikTok has earned this partnership through backing its words with action and integrity.”

“As audience reach declines in traditional formats, it is critical that client budgets fund new ways to connect with audiences,” added Dani Benowitz, President of IPG Mediabrands’ MAGNA. “This partnership will deliver incredible value to our clients and, as importantly, will help all of us learn the power of creating content communities at scale.”

“On TikTok, brands have the unique ability to become creators and storytellers by listening to the community and adopting an always-on approach to their content,” said Blake Chandlee, President of Global Business Solutions, TikTok. “We’re delighted to partner with IPG Mediabrands and help their clients tap into trends, create a steady stream of content that resonates with our community, and embrace the creativity and culture that makes TikTok such an incredible platform.”

TikTok and IPG Mediabrands have also committed to identifying new ways to foster diversity, equity and inclusion on and off the platform. The two companies will collaborate to develop innovative, creative strategies to benefit nonprofit organizations and elevate underrepresented communities on the platform, and TikTok was a recent participant in the Equity Upfront, hosted by IPG Mediabrands’ MAGNA.

ABOUT IPG MEDIABRANDS:

IPG Mediabrands is the media and marketing solutions division of Interpublic Group (NYSE: IPG). Mediabrands manages approximately $40 billion in marketing investment globally on behalf of its clients and provides strategic services and solutions across its award-winning, full-service agency networks UM and Initiative and through its innovative marketing specialist companies Reprise, Magna, Orion, Rapport, Healix, Mediabrands Content Studio and the IPG Media Lab. Mediabrands clients include many of the world’s most recognizable and iconic brands from a broad portfolio of industry sectors. The company employs more than 13,000 marketing experts in more than 130 countries representing the full diversity of humanity. For more information, please visit our website: www.ipgmediabrands.com and be sure to follow us on LinkedInTwitter or Instagram.

ABOUT TIKTOK:

TikTok is the leading destination for short-form mobile video. Our mission is to inspire creativity and bring joy. TikTok has global offices including Los Angeles, New York, London, Paris, Berlin, Dubai, Singapore, Jakarta, Seoul, and Tokyo.

Contacts

Rahel Rasu
Global Chief Communications Officer
Rahel.Rasu@mbww.com

TikTok’s Competition Heats Up, but There’s Plenty of Room for It to Grow

By Michelle Castillo, published by Cheddar
 
During the pandemic, TikTok experienced a meteoric rise in downloads and engagement as people turned towards the short-form, DIY video service for entertainment.
 
“TikTok has been able to build and grow a user base and kind of break through aside from just the concept of short-form video having music attached to it,” said Nick Cicero, Conviva vice president of strategy. “TikTok introduced a new voice into the social platforms.”
 
And big tech took notice.
 
More than just flattery, established platforms are learning that if they want to keep their audiences from trying something new they’ll have to add those features. Instagram debuted Remix on Reels last week, a play on TikTok’s famous Duets feature that lets users split-screen other clips and react to them. In mid-March, YouTube released YouTube Shorts, its own TikTok competitor. Earlier in November, Snapchat launched Spotlight. Rather than off-the-cuff daily moments, the tab highlights more meme-driven, hijinks-capturing content similar to what people would find on — you guessed it — TikTok.
 
With more similar services on the market, there are questions if TikTok can remain king especially as it chases after advertiser dollars. But, while most social media posts rely on massive follower counts to become popular, TikTok’s algorithm makes it easier for one-off creations to go viral from anyone. That’s something most platforms won’t find easy to replicate.
 
“Fundamentally TikTok is going to be a better place for brands,” Cicero said. “The main thing is because it’s more public…you combine the open nature and the ability for content to be shared quickly, it offers a really unique way for brands to connect with people that they haven’t in the past.”
 
While there may be concerns that people migrate away from TikTok to other services, it may only be a temporary blip rather than a death knell. Another oft-copied app, Snapchat, has also found continued success despite its main features being copied by Instagram Stories, Facebook Stories, YouTube Stories, Pinterest Story Pins, and Twitter Fleets. The company said it is expecting 56 to 60 percent year-over-year revenue growth during its latest earnings report in February.
 
Data from Apptopia shows that while Instagram’s U.S. session times climbed 13.2 percent year-over-year from March 2020 to March 2021, TikTok’s session times also increased 7.4 percent during the same time frame showing both apps could grow at the same time. Another study of more than 20,000 Americans from Piplsay Research showed a little under one-third said they are active on TikTok, Instagram Reels, and YouTube Shorts.
 
Unlike Snapchat, which has always had a solid core youth base and sought to expand to more users, the pandemic piqued cross-generational interest for TikTok. These users will continue to evolve and grow with the platform rather than be drawn to other spaces, similar to what happened with Snapchat, Cicero pointed out.
 
And, interest from brands is there, meaning revenue is likely to follow. IPG Mediabrands and TikTok launched the Creator Collective on Tuesday. The new initiative will pair top TikTok creators with brands to help advise on strategy, as well as create quarterly Creator Camps to teach marketers the best way to utilize the platform for upcoming campaigns.
 
“TikTok gives them the ability to create some really unique content — and it’s wide open,” Cicero said.
 

Read the article at Cheddar

TikTok and IPG Mediabrands launch global creator partnership

By Allison Weissbrot, published in Campaign

The platform will host creator camps for IPG Mediabrands agencies and clients to better understand how to connect with its audience.

 

If you’re not showing up on TikTok as an authentic member of the community, you’re not doing it right.

To help agencies and marketers better tap into the platform’s unique culture, TikTok has partnered with IPG Mediabrands on a three-year global creator program.

The first of its kind partnership includes a global Creator Collective, with creators hand-selected by TikTok that IPG Mediabrands clients can tap into for strategic advice, as well as quarterly intensive creator camps with bespoke curriculums.

While the partnership also includes the typical media-platform trade-offs, like discounts and first looks at new products, Mediabrands wanted to do something different that its clients couldn’t get anywhere else, said Dani Benowitz, president of IPG’s Magna US.

“We wanted to bring something special to our clients,” she said. “We thought content was the way to do it because of how important it is on these platforms. How do we get our clients really immersed in this revolution?”

The first creator camp will kick off in Q2 as a two-day virtual learning session that educates brands on TikTok’s culture, product features and the language used by its audience. Brands will walk away with a portfolio they can use for an upcoming campaign, as well as a toolkit for how to use TikTok in the future.

The program will start in North America, with ambitions to scale globally in every market where Mediabrands operates, and a goal to hold camps in-person when it’s safe to do so.

“We want to keep camps bespoke and specific, so we’re very intentional about building curriculum,” said Khartoon Weiss, head of global agency and accounts at TikTok. “We will look at creators who understand all of the opportunities to bring different verticals to life and are experts in those fields.”

The program aims to give brands that are still finding their way on TikTok a better understanding of how to show up natively and latch on to emerging trends, artists and cultural moments in order to drive sales. The best way to do that is to learn from the creators themselves, Benowitz said.

“As brands start to work with these creators, it’s going to have to be done organically,” she said. “It’s going to be less of a paid influencer relationship.”

Looking to the future

TikTok intends to iterate on camps as the program evolves to help brands take advantage of emerging trends. For example, TikTok plans to work with IPG Mediabrands commerce agency, Reprise, as creator commerce takes off on the platform.

“You’ve seen TikTok clear shelves,” Weiss said. “We want to do this with brands in the IPG Mediabrands portfolio. We will lean into the elements of their business and ours that are emerging and will continue to drive importance in the marketplace.”

Benowitz also sees opportunities to get in on the ground floor with TikTok as the company partners with media companies and builds out its own original programming. “You’ll see brands tap into that in a big way,” she said.

In addition to innovation, diversity, equity and inclusion will play a key role in the partnership. TikTok will select a diverse group of creators and will train brands on how to reach communities that live on the platform. After all, TikTok is the home of Gen Z, which is the most diverse generation in U.S. history.

Like most agencies, Mediabrands is making a concerted effort to be more diverse and inclusive, not just internally but also in how it spends its clients’ media dollars. The group recently hosted its first diversity, equity and inclusion upfront to help clients direct more spend to BIPOC-owned or targeted media companies.

“We recognize how important the audience is,” Benowitz said. “It’s being underserved in terms of media spend. Part of what we are doing with TikTok is figuring out better ways to speak to them.”

TikTok hits the mainstream

The IPG Mediabrands deal is the third major partnership TikTok has inked with a large agency group in the past year, a sign of maturity for the growing platform. TikTok signed its first U.S. agency partnership with Horizon Media in November, followed by a broad deal with WPP focused on brand safety and ad innovation in February.

“The fact we can develop this kind of initiative and globally scale it to meet the needs of a network like IPG Mediabrands marks a new milestone for TikTok,” Weiss said.

For Mediabrands, which launched a full-fledged content studio in November and has a few Cannes Lions under its belt, starting the partnership with a focus on content made sense.

“Media agencies don’t just buy and plan media anymore,” Benowitz said. “The whole experience is what we’re all about.”

Aside from Magna and Reprise, Mediabrands’ other constituent agencies include UM, Initiative, Orion and Rapport.

A few factors played into formalizing the partnership now. Media coverage and speculation around TikTok’s control by the Chinese government that was rampant in the fall has mostly subsided. TikTok also scored well on Mediabrands Media Responsibility Index, which grades platforms’ adherence to the group’s Media Responsibility Principles.

But FOMO, or fear of missing out, played a part as well, Benowitz said.

“As they’ve become more mainstream, and they have so quickly, and we see other [agencies] doing it, we start to say, ‘What can I do for my brands and how can they get involved?’” she said.

 

Read the article in Campaign